Ronald’s works are representative theses that marry his innovative belief to a strong artistic vision. He uses art as a medium to arrest and portray alternative narratives of quotidian lives and intermingling it with stories of the fantastical and the imaginary. His oeuvre deals with social issues and the intimate psyche of urban dwellers in a rapidly growing nation, wistful for the memories of the yesteryears while unable to cope with the changing landscapes of their youth.

In spite of its underlying messages, Ronald’s works are still often playful and injected with humour and pathos. It could be regarded as a reverse bildungsroman, where one chooses to deliberately return to a child-like state, innocent and unadulterated. Indeed, Ronald’s works transport its viewers and suspend them in a liminal space where personal history and cultural paradigms form the basis for a nascent, hybrid worldview.